![]() ![]() Lucas has been criticized for essentially directing films from the editing room (Lewis 2007, 70–71), but it could be argued that his affinity for postproduction and his digital revisionism have helped the general public understand the malleability of the cinematic form. The digital domain provided filmmakers with more expedient and economical means to tap previously unreached creativity, and Lucas often explains he was compelled to revise the classic Star Wars films in the 1990s because filmmaking technology was finally capable of realizing his original vision of a galaxy far, far away (Magid 1997, 60–70). ![]() Since the 1970s, George Lucas has influenced the passage of filmmaking into its digital era through his special effects company (Industrial Light and Magic), his contributions to nonlinear editing technology (such as the EditDroid system in the 1980s), and his production of primarily digital feature films, including the Star Wars prequel trilogy (1999–2005). "Fan Edits and the Legacy of The Phantom Edit." Transformative Works and Cultures, no. Keywords-Copyright Fair use George Lucas Remix Star Wars In order to provide a critical and historical basis for studies in fan editing as a creative practice, I examine previous interpretations of fan edits in the context of relevant contemporary works, and I use an annotated chronology of The Phantom Edit to trace its influence on subsequent fan editing communities and uncover their relationship with intellectual property disputes. However, critics have misunderstood fan edits as merely the work of disgruntled fans. ![]() The Phantom Edit (2000), a seminal fan edit based on Lucas's Star Wars Episode I: The Phantom Menace (1999), inspired new ranks of fan editors. The increasing number of alternative versions of films and the works of revisionist Hollywood filmmakers such as George Lucas have contributed to a greater public understanding of cinema as a fluid medium instead of one that exists in a fixed form. The contemporary wave of fan edits has emerged during the remix zeitgeist of digital media and at a time when digital video editing technology has become more affordable and popular. It offers a different viewing experience, much as a song remix offers a different listening experience. Abstract-A fan edit can generally be defined as an alternative version of a film or television text created by a fan. Praxis Fan edits and the legacy of The Phantom Edit Joshua Wille University of Kansas, Lawrence, Kansas, United States ![]()
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